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simone martini painter
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simone martini painter

Simone was the most important Sienese painter after Duccio. His influence in Siena was great in the 14th century and considerable in the 15th. A Christ Discovered in the Temple (1342) is in the collections of Liverpool's Walker Art Gallery. The fresco depicts the enthroned Madonna and Child with angels and saints. It is convenient to think of Simone Martini (b. Featuring hundreds of artists and thousands of works. Painting. The Annunciation Triptych (1333) With St Margaret and St Ansanus. 1280/85, Siena, d. 1344, Avignon) Early works; The Maestà in the Sala del Mappamondo, Palazzo Pubblico, Siena (1315) Frescoes in St Martin Chapel of the Lower Church, San Francesco, Assisi; Altarpieces; According to late Renaissance art biographer Giorgio Vasari, Simone was instead a pupil of Giotto di Bondone, with whom he went to Rome to paint at the Old St. Peter's Basilica, Giotto also executing a mosaic there. A copy of the work, executed shortly thereafter by Lippo Memmi in San Gimignano, testifies to the enduring influence Simone's prototypes would have on other artists throughout the 14th century. Simone Martini -c 1284-1344- Simone Martini was an Italian painter born in Siena. He produced many paintings and frescoes. The artist created it to the altar Ansonia, which is located in Siena. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Simone Martini born c. 1284, , Siena, Republic ofSiena died 1344, Avignon, Provence important exponent of Gothic painting who did more than any other artist to spread the influence of Sienesepainting. Large, high-quality images. Simone Martini, (born c. 1284, Siena, Republic of Siena [Italy]—died 1344, Avignon, Provence, France), important exponent of Gothic painting who did more than any other artist to spread the influence of Sienese painting. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. He spent much of his life in Siena and Tuscany. Updates? Stylistically influenced by the following painters and art styles ; Manuscript Illumination, Ambrogio Lorenzetti, Coppo di Marcovaldo, and Duccio di Buoninsegna Mediums - panel painting, frescoes and manuscript illumination. 1280-1344. Simone Martini / 'Orsini Polyptych The Deposition from the Cross', 1335-1337, 28.5 x 20.5 cm. Simone's other major works include the St. Louis of Toulouse Crowning the King Robert of Anjou (1317) at the Museo di Capodimonte in Naples; this work was painted during a stay in Naples at the request of the king. 1280/85, Siena, d. 1344, Avignon) as a pupil of Duccio, although nothing is known of Simone's life before 1315. Very little documentation of Simone's life survives, and many attributions are debated by art historians. Simone signed this work in 1333 with his brother-in-law, the Sienese painter Lippo Memmi, an associate for many years. 1283–1344. English: Simone Martini (c.1284-1344) was an Italian painter during the Gothic period. Simone's art owes much to French manuscript illumination and ivory carving: examples of such art were brought to Siena in the fourteenth century by means of the Via Francigena, a main pilgrimage and trade route from Northern Europe to Rome. Simone Martini died while in the service of the Papal court at Avignon in 1344. Francis Petrarch became a friend of Simone's while in Avignon, and two of Petrarch's sonnets (Canzoniere 96 and 130) make reference to a portrait of Laura de Noves that Simone supposedly painted for the poet (according to Vasari). Simone was very possibly a pupil of Duccio di Buoninsegna, from whom he probably inherited his love of harmonious, pure colours and most of his early figure types. 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